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4 Questions About The Music Industry You Should NOT Be Asking

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The chances are, you are already ruining your potential to succeed in the music industry because you believe in one or more music career myths. How do I know? I am sent e-mail messages on a constant basis by tons of musicians (all seeking the answers to the DRASTICALLY WRONG questions). These are questions that may seem like good questions topside level, but are really highly damaging questions that take the capsules far away from their musical dreams.

To put together a successful career with music as soon as possible, you’ve got to know the questions you do NOT need to be researching answers to, and understand how to ask much higher quality questions that will put you on the right track toward reaching your music business goals.

These are the 4 worst music career queries you should avoid asking in order to build a successful career as a professional musician:

Bad Music Career Question #1: Does someone Have To Become A ‘Starving Artist’?

A lot of people believe that making a living like a professional musician means one of two things: Either you ‘make it’ and go on to tour the world and sell numerous albums or you ‘become a starving artist’ and have to learn at crappy bars and street corners just to get through. This music business myth makes sabotages people’s employment opportunities from the start, either by making them believe they need to get professional jobs unrelated to music and ‘try to do music on the side’, or be afraid of trying to enter the songs business.

Fact is, the music business is made up of a large middle type and there are countless ways to earn a living. You’d be surprised at how uncomplicated it is to make a good living in the music industry versus turning out to be successful in an outside field. However , before you will make big money, you must stop asking low quality questions. Stop worrying in relation to becoming a starving artist and start envisioning all the different ways you can generate profits as a musician.

As you work in the music business, anyone with forced to live from one paycheck to the next like in a normal full-time position. Instead, it’s always possible to be earning multiple sources of income in addition. This makes becoming a professional musician a much more stable career decision since you don’t have to be dependent on just ONE source of income. In addition to the noticeable ways that musicians seek to make money in music (selling albums/downloads, playing live shows or recording as a session musician), you can find one thing you can do right now that will quickly boost your music similar income:

Start growing a music teaching business. This would immediately produce multiple sources of income (your students) for you although you work much less than full time hours each week.

When you make many sources of musical income as discussed above, it’s possible (and not as hard as you might think) to on an annual basis earn more than $100k in your music career (I understand this, because I’ve helped many musicians to do it).

Bad Music Career Question #2: How Do I Get A Record deal?

In order to understand why this is not a good questions to ask, answer that: “Why should someone give YOU a recording contract? ” If you think it’s because you write good music… try again. This is never a superb enough reason for someone to sign you to a recording contract. Not a soul is going to invest many thousands of dollars into you just as you can write good music. This would be WAY too risky of an expenditure (so much so that it doesn’t even make sense). Suppose you saved up $200, 000, would you then go to a gambling establishment and put it all on the line for one spin of the roulette? AS WELL AS would you instead invest it into someone who has proven that they’ll help you earn even more (at least at a smaller level)? No doubt, you would make the wise choice and invest the item into someone who would help you make more money. This is how recording trademarks think. So stop wondering about how you can get signed with a recording contract and start turning yourself into a ‘wise investment’ this any label would immediately see as valuable. It must have much more than writing great music, playing your guitar well or having a Facebook page.

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